#i think people either hate me or are annoyed with me

[girlfriendsofthegalaxy]

tuesday again 1/7/2025

in which we embark upon a progamme of reading for our edification

listening

this was the first song of the year-- felt a little melancholy and a lot sleepy after watching the first movie of the year and this fit the vibe.

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reading

as a user, i think the magic link system is very annoying, but i also get that they don't want to fuck around with holding and protecting user data. they have been very firm but polite about various bells and whistles people want added to their site that do not contribute to their main goal of reporting various news beats. i DO really appreciate how they put in the time to create a private RSS feed for subscribers with the full text of all the articles so you don't have to log in with the magic link every time, or rather i will really appreciate this once i have a job and can subscribe.

i need to set myself a project and i keep forgetting i moved all this vintage gay and lesbian erotica from massachusetts down to texas with me, so we're going to read one a week until i get bored or we (heaven forbid) run out of gay or lesbian erotica.

the second purpose, and look, i hate the word normalized, but texas politicians are constantly working themselves into a screaming froth about protecting children from gay sex and gay books. i think we can look at various gay sex books each week in a calm and reasonable manner and ask the normal questions i try to ask of every work discussed in the tuesdayposts. since moving, my instinct is to be more stealth and less visibly gay, which is not the way i would like to live. this is the absolute babiest of baby steps since the tuesdayposts (to date) have never put me in any physical danger.

the main questions i will be trying to answer each week are:

is there anything cool about the physical object?

what's the author's deal?

did i like it/did it deliver on its premise?

the sex?

i don't know. chime in if there's some fifth thing you want regularly answered?

this is a 1997 british-printed perfect-bound paperback by The Gay Men's Press (a short history by one of the founders here). i'm not sure if this copy had ever been read, because i managed to break the spine in a very ugly way while trying to gently break the book in. this is either from a goodwill just over the border in ct or from bookends in florence (which you should go visit if you're ever in western ma, one of the few brick and mortar lesbian bookstores in the country).

not for me but i appreciate what it is and what it's trying to do. i have very rarely read something so clearly written by an author for an audience of themselves.

Growing up at a coaching inn on the Great North Road in the early 1700s, young Davy Gadd is enthralled by tales of the greatest of highwaymen, Claude Duval. Seeking his fortune in London, he is entangled in the machinations of Under City Marshal Charles Hitchin and the infamous Jonathan Wild, in their battle to divide up the spoils of the criminal underworld. At last, equipped with horse, pistols and velvet mask, he sets out as a Gentleman of the Road. But not before he has been loved by a Jacobite lord, dressed up by Lucinda and Aunty Mary, and been married at Mother Clap's Molly House. And at the end of the road, will he Pass into Legend, or does his fate lead to Tyburn tree, where so many glamorous adventurers have been hanged?

i think i would have enjoyed this book more if i were a gay man, really into daniel defoe, stuart restoration/early georgian england or very specific bits of historic london nightlife history. there are three hundred and sixty eight of god's own pages and we certainly do meander. it is a little bit of a slog in the dissatisfied middle portion of our hero Davy's young adulthood, but you are rewarded for sticking with it by all the important threads getting neatly tied off. it wraps up nicely if bittersweetly. the ending deals with community and vulnerability in a way that makes sense for a book written by a gay man in 1997. i wish i could explain my thoughts on this better. i think it is a perfectly fine ending that suits the book but again, overall, the book is not for me.

there is period-typical homophobia and gay bashing, but very little of it actually affects Davy. he is generally in fear for his life bc of some crime he committed unrelated to being gay. i think this is a pretty sensible way to make sure your historically accurate novel remains fairly historically accurate without being a fucking downer to write and read. on a related dealbreaker for many people, there is a good deal of phonetic dialect in this book, although it is mostly relegated to dialogue and slangy or shortened forms of words in dialogue spoken by people more connected to the criminal underclass.

i wrote all that and then i had to employ some stringent search techniques to find out anything about the author, who was not a very public person, and his feelings about homophobia vs historical accuracy. about three quarters of the way through this 1997 article about gay fiction from The Independent (interview conducted by letter!) we discover he also considers this a fine line to walk, and perhaps the only paragraph on the internet about his background

"The greatest influences on my writing to begin with were the swashbuckling films which I saw as a child in the Fifties," he says. "Errol Flynn and Stewart Grainger were particular heroes. Also around that time, John Buchan, whose Richard Hannay says, 'I have always had a boy's weakness for a yarn.' Later I acquired an English degree, and was influenced by medieval and Elizabethan literature, Thomas Hardy, Dickens, various historical novelists, Mary Renault and Daphne du Maurier."

"but kay, what about the sex?" my dear readers are probably crying out right now. i don't think this is a great book to jerk off to, even if you are a gay man and not a bisexual woman with the briefest passing familiarity about various periods of english history. davy fucks, a lot, don't get me wrong-- the fucks are not generally instrumental in driving the plot forward or delivering cool facts about london so they're all quite short, usually less than a page.

i don't know if including an example of a sex scene is interesting or useful information to anyone else but it feels strange Not to include it in a reading project about gay and lesbian erotica? gentle reader, i would love to hear your thoughts

-

watching

at about 11:30 PM on new year's eve i like to start a new-to-me black and white classic film to take me into the new year. this year's was Filibus (1915, dir. Roncoroni, widely available in various niceties of restoration)

summary from wiki:

Filibus is a 1915 Italian silent adventure film directed by Mario Roncoroni and written by the future science fiction author Giovanni Bertinetti (it). It features Valeria Creti (fr) as the title character, a mysterious sky pirate who makes daring heists with her technologically advanced airship. When an esteemed detective sets out on her trail, she begins an elaborate game of cat and mouse with him, slipping between various male and female identities to romance the detective's sister and stage a midnight theft of a pair of valuable diamonds.

i found out about this film through the @hotvintagepoll scrungly poll, and i think Valeria Creti should have gone all the fuckin way. girl hobbyist detective/nobleman by day, gadget-loving gentleman thief by night. i support women's wrongs, and she causes so so many of them on purpose. there are some things that carbon date a film, like russian antagonists or gland problems, and this film is carbon dated by sleepwalking as a serious psychological event. she comes very close to taking a detective completely out of the policing game by drugging him and staging elaborate series of events to plant evidence that he did all her crimes while sleepwalking.

she LOVES being in boy mode and she's very good at it! it's never treated as a joke! she stages a rescue of the detective's sister in order to gain access to his house, but then the actual building of the relationship and courtship is completely on her own merits and charm!

this is a charming (if poorly paced for viewing all in one sitting) early gay serial film. if i saw this in the cinema in 1915 i would have been institutionalized for imitating filibus

-

playing

genshin is not feeling as jazzy or fun lately. i think i have two issues. one is that Fontaine, the last major nation's main questline was a truly delightfully crafted (and fair! we had all the pieces just not all the context) murder mystery with a lot of lore. this nation, Natlan, is functionally a sports anime. not that one genre is better or more complex than the other, it's just. different. and recalibrating my expectations has been a little wonky.

the second kind of weird calibration thing is the rate of additions to the world map. genshin runs on a six-week update cycle, where every six weeks you get something major and new to progress the game story. usually there are nine patches, starting at X.0 and going up to X.8. you iterate up a full number with major patches introducing a new land, so with the introduction of Natlan we started the 5.X patch cycle and left Fontaine's 4.X cycle behind.

this is important bc there's usually there's new and fun and exciting stuff and puzzles to solve and new challenges only when they add to the map. in the 5.X patch cycle, there have only been two map expansions: one in 5.0 introducing the land, and one addition about doubling the map in 5.2. 5.3 dropped last week, where the main storyline of the nation typically wraps itself up in the last map update and then we get to fuck around in bonus areas or seasonal events. for example, in the last three nations, so from updates 2.0-4.2, there are typically three big map updates in a row that unlock the entire base map of whatever country we're in, no new map content for a patch, a new bonus area related to whatever area we're in, another break, and then a seasonal map, and then three more updates with no new maps but new events or new battle modes. for natlan, we're essentially "behind" unlocking a chunk of the map.

let's go to the maps: the last nation Fontaine's first introduction in 4.0 (these are all from IGN, they are not to scale with each other):

the second update in 4.1:

the third and final main map update in 4.2:

introduction of natlan in 5.0 on the right (these two screenshots i took are to scale with each other), no underwater regions or major underground areas in this one:

no map update in 5.1. second major map update in 5.2 on the left here, still no major underwater or underground regions. we are currently in 5.3 with no map update, with maybe the third and final map update in 5.4?

again, the problem with No New Map is that typically in genshin you go to new places to unlock more of the story. we're "behind" a map update, if you will. they've kind of shoehorned new story into existing map, and shoehorned new bosses into the existing map, which is very strange and makes the nation feel so much smaller and more limited than other nations.

it feels a lot like part of the map update we got in 4.2, ochkanatlan, an abandoned island city somewhat removed from the rest of the map, was supposed to be the bonus area map, but they didn't have enough ready? the 4.2 update also felt very medium sized- at this point in Fontaine we'd unlocked the Fortress and Institute, which really blow the dragon city right off the island with regards to complexity of exploration and length of quests. it's not really anywhere near the complexity or length of the first desert map expansion in Sumeru, which was honestly a really crazy thing to drop all at once. i will not be putting more nation map screenshots up here bc of the image limit but the desert in sumeru is ENORMOUS and it has an equally enormous underground labyrinth!

not my favorite nation so far! a little bit of it is recency bias bc Fontaine was SO good and is overall my favorite, but it feels off lately. i don't know if the really punishing every six weeks updates are finally catching up to the parent company, or if they're really deep in preproduction for the next land (it Feels like they're going to split the next land into two different X.0 update cycles. there's a lot of chatter in game from NPCs about how different and weird the next port is compared to the rest of the country. i could easily see them building that out to two major updates like natlan and then saving the bulk of the country for the next X.0 update in another year).

-

making

bathrobe surgery under the armhole.

ive had this red/black/blue tattersall plaid in light cotton since high school, best guesstimate based on the tag style is early to mid sixties?

this thing is Solid. it is perhaps the most nicely constructed garment i own. every seam is a narrow, tidy french seam. the underside of the collar is lightly quilted to give it some body and make it stay down, and it has a facing over the top to make it look not quilted from the front. it has The best waist tie arrangement i've ever seen, with a tiny strap on the underside of the tie to permanently hold it to the belt loops but still give you a little bit of play.

it is so beloved that it's starting to completely wear through on the shoulders, and i have to think about how to patch it without losing any of the light breathable qualities i love it so much for.

[catras-breakup-song]

it’s already annoying enough that they still, in 2025, 4.5 years after the fifth season ended, run blogs almost solely dedicated to hating on a cartoon since they can’t find a better hobby, but what really bothers me at this point is how they have to make their superiority complex everyone else’s problem and go out of their way to bully & harass stans over their posts under the guise of “debunking arguments” (which, even if that is true, debates aren’t always inherently invited and dragging someone into them by assuming “existence of post = open discussion” when they aren’t interested may violate a boundary), usually indirectly so that we don’t know and won’t respond to it.

glimmadora shippers (who are catradora antis, nothing wrong with just liking the ship itself!) are definitely the most frequently guilty, thinking of 1-2 blog usernames in particular here, and they largely overlap with the first group in your list — many of them tend to also be lumity fans (again, so am i, i have the owl house showrunner’s art of them as my main blog’s icon; that alone is not the issue) and compare it to catradora because if it’s not perfect fluff then it’s apparently not acceptable to portray in (animated) media. it’s rather ironic because they are so loud about being against toxic behavior + obsession with people minding their own business, but have no problem actively engaging with these things online in order to make sure others know they hold the wrong opinion over pixels + lines on a screen.

the ones that have really surprised me though, are hordak & shadow weaver stans. it’s a cheap excuse to accuse them of ableism* & misogyny & lesbophobia (and trust me, i also hate pointing fingers at baseless bigotry when it doesn’t apply tot the situation), yet abusive characters in this show are clearly fine to enjoy just as long as they’re not catra, which therefore implies… exactly those ideas. they hide behind a façade of caring about ableism via entrapta’s writing** and the end scene of 4x01 when catra holds hordak’s crystal over his head to bribe him, but either they’re very biased and cherrypick who deserves protection from discriminatory beliefs based on a subjective “perfect victim” status in the fandom, or they’re simply weaponizing those criticism arguments in order to silence opposing voices among the discourse regarding catra’s redemption arc getting more attention, since she’s a main character, than the cardboard cutout big-bad villain, who wasn’t supposed to have anywhere near as much development or sympathy given from the beginning. i roll my eyes when they complain about how season five catered to her so much, especially instead of hordak, because the show has literally always been primarily about catradora and the best friends squad by extension; hordak was nothing more than a tool for the narrative. that means you got what you came for, so you can either stay mad or leave ─ i highly suggest the latter for everyone else's sake.

i’ve been collecting receipts of the latter group that you can check through all the various reblogs (it’s not a neat consecutive thread unfortunately, sorry) in the notes here, just because it’s difficult for me to believe those takes are actually real if i can’t prove it to even just myself, lol lmao.

another thing i’d like to mention is that i’ve seen antis mention biphobia coming from she-ra stans a few times now, and as a bisexual activist who is unapologetic about calling that crap out without any respect for the perpetrator, the funny thing is… this is pretty much the only fandom where it hasn’t occurred that much in my experience, let alone to such an unbearable level — mind you, i’ve been here since june 2020 (not on this account, but wherever SPOP existed on the internet). it’s always been much more prevalent in arcane spaces, hell even the owl house with three prominent bisexual characters and only one canon lesbian is filled with far too much erasure & policing regarding our identity. also no one ever cares about bringing up bisexuals unless it’s to hate on us somehow, so i always find a sudden uptick in concern from monos that can be essentially read as a “gotcha” or otherwise supporting detail rather than its own thoughtful discussion to be deceitful and i tend to be quite wary of it. ¯\_(ツ)_/¯

*ableism in this case comes from catra’s heavy BPD-coding, which i can speak on as i also have it — or at least share most of its symptoms consistently, which has been overall agreed upon by my psychiatrist.

**that’s not to say how entrapta being autistic was handled, especially in 5x02, isn’t problematic, especially considering i’m autistic too and that has rightfully made our community uncomfortable, generally speaking. i just don’t trust authentic critique with genuine love for the character or even basic respect for this piece of media as a whole to come from that crowd specifically.

i'm losing my mind how are there STILL ACTIVE CATRA HATE BLOGS it's been FOUR YEARS how are you still this mad about a female abuse victim!!!!!! how do you STILL not get it!!!!!!!!!!

I have been in enough fandoms to understand that some of the people who stick around the longest are those who act the most scarred after watching the media. It's like stockholme syndrome. Or it's like hating the thing is what gives them drive in the world.

I have also been on the other side of this. I remained a Homestuck blog for a whole four years after the ending made me depressed about Terezi Pyrope, even lasting an additional year and a half after the dogshit epilogues released, through to the demise of Hiveswap and Homestuck^2, before I realised enough was enough and let Adventure Time give me sanctuary again.

But Homestuck had its Gamzee fans who hated the comic and fandom, Adventure Time had its Lemongrab fans who hated the show and fandom, and it seems She-ra has its fair share of antis.

The She-ra antis consist of the following groups, from my observation:

Former fans who got obsessed with some other show and have to bash She-ra because it ain't cool anymore. Usually Owl House fans but can be from anywhere. Their hate is universally connected to propping something else up, and is never done in isolation.

Hordak fans who hate Catra and maybe every other character and crew member and the show. There are a lot of the reverse, Catra fans who hate Hordak, which is part of why this group is so persistent, as a "counter" to this Hordak hate. However, the Catra fans who are Hordak antis MOSTLY do not hate the show (they are just... out of touch with it and generally have bad takes). I've seen one or two extreme cases of Catra apologists accusing Adora, Scorpia, and even Entrapta of abuse, but they were completely alone in their feelings. The Hordak fans who hate Catra tend to also hate Glimmer, Mermista, Adora, Bow, and say that the show is ableist or whatever, but they do not actually harbor much love for Entrapta. Her victimisation is an excuse for their behaviour and they have no understanding of her chaotic character. Do not interact.

Glimmadora fans (the ones who purely seem to exist to make 'Spop Is Abusive' posts). Why the fuck Glimmadora fans hate the show so much, I do not understand. But these are probably the most In-Your-Face of these three groups. While the Hordak fans mentioned above have a lot of similarity to Homestuck Gamzee fans or Adventure Time Lemongrab fans in the weird way they'll hate on the show for doing their blorbo wrong, Glimmadora fans don't have that evidence because they don't really care about Glimmer or Adora. They have absolutely nothing to say about the show, other than that it is Bad. My theory on these Glimmadora fans is that they really liked the Glimmer and Adora ship on a superficial level, and then the show decided to have its Deeper Themes and give Catra and Adora a messy, complicated relationship. There was a lot happening after season 3 where people went "CATRADORA IS REALLY ABUSIVE AND CATRA IS HORRIBLE AND YOU SHOULDNT SHIP HER WITH ANYONE". This period was SO fucking harmful to the fandom that it never recovered, so much work was lost and deleted from AO3. People would say "Glimmadora is a much better ship anyway". But then when season 4 rolled around and, uhh, Glimmer was acting like a little shit all season (for good reason but she really fucked things up with Adora), and Glimmadora crumbled into ash? Well the Glimmadora truthists felt like the show was working against them and that Season 5 was a grand conspiracy to make the Abusive ship Catradora canon!!! The funniest part of this is I sympathise a lot with these feelings. I used to be a Glimmadora truther myself when I watched the show in fall 2021. I was like, "wow, look how nice this ship is. And they go with catradora in the end?? Fucking HOW???". But then seasons 4 and 5 happened and.... yeah, I was disappointed with how Glimmer and Adora's friendship ended up, but I was ENAMORED by the messiness of Catra's character and how raw her and Adora felt about each other even in spite of all the bullshit. I never made excuses about the show being abuse apologising. I analysed it purely in how believable the relationships were and what the intentions of the characters are.

Of these groups, the ones responsible for the most actual SPOP Anti blogs are undoubtedly the Glimmadoras. The only time I've seen something similar, so many antis appearing, was because of Steven Universe ship wars. You have NO IDEA how petty people feel about Lapidot, Amedot, all the dots, all the amethysts. A crew member was chased off the internet over it, or left the internet over the show's own decisions, depending on whether you believe the """screenshots""" that were taken of Zuke's ""private blog""".

[honeypiehotchner]

The Gambit (Hotch x Fem!Reader) -- part six

About the ending of this one: don't hate me! Hate Hotch :)

Warnings: angst! the usual! a meeting with Strauss, Rossi knowing Hotch too well and it annoying the fuck out of Hotch (lovingly)

Everyone knows the case isn’t over, but it might as well be. With nothing else to uncover and Lila safely returned home, the BAU team is called back to Quantico.

Hotch makes sure that the Monroes have some security round the clock in their neighborhood, especially on their street. He doesn’t think anything will happen, but then again, no one can ever be certain. 

The problem is that they can only afford the security for so long. One week, at the most.

You ignore Hotch the entire way home on the jet. In your defense, you ignore everyone. You put your headphones in and curl up in one of the chairs toward the back, perfectly secluded from everyone else.

Hotch watches you, trying not to look as worried as he feels, and hating that he feels such deep worry for you. Sure, your words stung earlier, that he’s the last person you’d want to work for, but they weren’t entirely untrue. You are the last person he expected or wanted to walk through those glass doors. 

He hasn’t had the chance to discuss your placement with Strauss, but he will. Either it was pure coincidence that she placed you here, or she thinks she’s being funny. If it’s the latter, he hopes she can see how hard he isn’t laughing.

Rossi lightly kicks Hotch’s leg under the table. He raises his eyebrows when Hotch drags his eyes over to him.

“What?” Hotch says, settling down further into his seat, glancing at the file he’s supposed to be going over. “Got a cramp?”

Rossi scoffs. “Do you?”

Hotch hums. “When do you think they’ll send us the sketch?” He’s trying hard to change this subject to anywhere but where Rossi wants to take it.

Rossi, of course, ignores Hotch’s question. “I’m guessing she didn’t appreciate you prying into her past.”

Hotch focuses very hard on one word in the file, wondering if he might make it catch fire. “No, she didn’t.”

“Well,” Rossi sighs, looking out the window. “Serves you right.”

Hotch’s eyes snap up, glaring tiredly at his friend.

“What?” Rossi asks innocently. “It’s too soon. You should’ve known better.”

“You know just as well as anyone that in order for this team to work well together we need to have an established level of trust—”

“Save the pep talk,” Rossi waves him off. “I think you just can’t stand being left out of the loop. There’s a missing piece here and you can’t take it.”

Hotch doesn’t know if Rossi is still talking about you or not. “Richard said—”

“I heard what he said,” Rossi interrupts again and Hotch really wishes he’d stop doing that. “And if it was anything that concerns us, don’t you think it would’ve come up in her background check? That you, as Unit Chief, have to go over.”

Hotch can’t say that he disagrees there. He does go over the background checks, just a glance, really. Maybe his eyes lingered on yours a little longer, so what? Maybe he tried to focus on smaller details to puzzle you out, so what? That’s not a crime.

What is criminal is hiding things from the team, especially the Unit Chief. He hates to pull rank, he really does, but when one of the FBI’s Most Wanted sits in an interrogation room and says he recognizes your newest agent, isn’t that cause for concern? Especially when said agent refuses to elaborate?

Why would Richard Monroe of all people recognize you? Or a younger version of you, so he says, because you’re older now than he remembers. Did he see a picture of you? How and where and why and from who? 

Rossi is right. There’s a missing piece. And Hotch can’t stand it.

+++

Hotch gives you the following day off. You know damn well that isn’t standard, and that everyone else is still going into the office, but you don’t argue with him. He’s as surprised as you are about the fact.

Instead, you sleep in, you have a slow morning, you make brunch, and you do everything in your power to not think about your father.

It’s easier said than done most days. It’s hard not to think about him when there’s so much you don’t know — so much you’ll never know.

Because he’s dead. You know that for a fact. Got a phone call from the prison ward and everything.

Still, your mind wanders. You hold your coffee close, the mug practically burning your palms, but you’re too in your head to feel it.

Lila…everything about it was so similar to your situation. Kind of. Given that you still don’t know who kidnapped her, and you might never find out, it could be a freak coincidence. 

You roll your eyes at yourself. Coincidence. Yeah, right. You stopped entertaining the childish idea of those long ago. Everything happens for a reason, which is why you have such a gut feeling about Lila. You just need to get to the bottom of it.

But you have no clue how.

+++

When you return to the BAU the following day, well rested and somewhat less anxious, you head straight for Hotch’s office.

Not because you want to. God, no. Hotch summoned you via text while you were still on the freeway.

You make him wait, though. You need coffee first.

After a pit stop at the staff coffee pot, and then at Emily's desk to chat, you waltz into Hotch’s office without knocking — his blinds are open and you can clearly see he isn’t busy — earning you an exasperated look from your new boss. 

“Don’t give me that look,” you snap without thinking. “You’re the one who called me for a meeting when I wasn’t even halfway here yet. So what? What do you want?”

Hotch really wonders why he tries to be patient with you. “Sit down.”

“Gladly,” you smile, knowing it has to look as fake as it feels. You lower yourself into one of his stiff chairs across from his desk.

Hotch takes a moment, clearly pulling himself together, before he asks, “How are you?”

Your coffee freezes midway to your mouth. You drop the mug back down, resting it on your thigh, letting it burn you there. “Fine,” you give a little shrug. “Thanks for the day off, boss.”

“I thought you might need it,” he replies, like he’s caught you in something.

“What’s that supposed to mean?”

“You know exactly what I mean.”

“I think you’re being an asshole on purpose,” you conclude. “I think I make you nervous, and you’re not used to that, so you take it out on me by being an ass.”

“Projecting, are we?”

“Proving my point, are we?” you grumble, ignoring how right he might be. You take a scorching sip of your coffee. “What did you actually want?”

Hotch stares at you for a moment, studying your face. You stare right back at him, unperturbed.

He’s going to learn that two can play at this game whether he likes it or not.

He’s the first to look away, down at the files on his desk. “The sketch artist spoke with Lila.”

“And?”

“She refused.”

You sit up straighter, nearly spilling your coffee. “What?”

Hotch’s eyes lift to yours. “She refused.”

You sit back again, propping your elbow on the arm of the chair to rub your forehead. “Okay. So what does this mean?”

Hotch threads his fingers together on his desk. “Her mom is going to talk to her, see if she can convince her to talk to the artist again.”

You nod slowly, looking out the window. “Okay. That’s good.” You’re not sure if she will. Or if it’ll get her in any trouble. She’s just a kid.

Hotch stays silent. Your coffee burns your thigh just enough finally that you move to rest it on the other arm of the chair.

You pause, looking over at him without moving your head. Your eyes narrow. “Why are you telling me this?”

“I thought you might like to know.”

You turn your head, smirking. “Missed me?”

He frowns.

You lift your coffee to your lips, waiting for Hotch to say something else, like you know he will.

He does. “I thought you might be able to shine some light on why she refused.”

You glare at him, but you finish your sip of coffee. “And no one else on the team was capable of shedding light?”

He stares you down. You return the favor.

You’re the first to cave this time. “What do you want from me, Hotch?”

“The truth would be a great start.”

All you can do is laugh, so you do, hanging your head. “Great meeting.” You stand and head for the door, raising your mug. “I’ll be at my desk if you need me.”

You hear Hotch push his chair back as he raises to his feet. “We’re not done.”

You pause, but you stay at the door. “You just don’t know how to leave well enough alone, huh?”

“I can write you up for insubordination.”

“Go ahead,” you shrug. “I could use another day off.”

On that note, and before he can hold you captive any longer, you yank his office door open and escape to your desk.

Hotch watches you through his open blinds. The way you settle into your desk chair, the way your hand shakes as you lift your mug to your lips. 

It’s not that he can’t understand why you won’t confide in him -- or, well, it’s less about confiding and more about just telling him the truth. He doesn’t need to be your confidant, or anything remotely friendly. God knows you wouldn’t want that. 

But this is serious. A serial killer recognizes his agent, shakes them up so bad they have what he can only assume was a panic attack in the parking lot, and he’s supposed to, what? Forget he saw anything? 

Forget like his life didn’t flash before his eyes when he saw you crouched down, fighting to take in a single breath of air? Forget like he didn’t pace his entire apartment last night, recalling everything he knows about you to try to ascertain why an FBI’s Most Wanted would recognize you as a child? Forget like he didn’t nearly make himself sick with the implications of that?

It’s uncharted territory for him. Members of his team have hidden things from him before, but they’ve let the truth out. They’ve let him help.

You don’t seem keen to do either of those. Again, it’s not like he doesn’t understand. The two of you aren’t exactly each other’s favorite person -- and won’t ever be. But the nature of the work you do…this isn’t something Hotch can just let go.

+++

The next week at the BAU passes similarly and without much fanfare. No new cases come in -- surprisingly -- but a few seminars come up, some mountains of paperwork, and a meeting with Strauss.

The latter comes as a shock. You think for sure that it is Hotch’s doing, and you’re entirely prepared for a fight. You’re either being fired, reprimanded for your behavior, or who knows what else.

What you don’t expect is for it to be lunch. Plain and simple.

“Thank you for joining me,” Strauss says, in an uncharacteristically good mood, guiding you over to her comfortable chairs. “Sorry for the formality. It’s the easiest way to schedule these things. Please, sit.”

You sit across from her, waving off the apology. “Not a problem. I was a little worried, so I’m glad it’s only lunch.”

“Why?” she asks. “Is everything alright in the BAU?”

“Oh, yes,” you laugh it off. Hotch just hates me, but not to worry, the feeling is mutual. “Just new job jitters, I suppose.”

“Ah, still adjusting?”

“You could say that,” you nod with another sheepish laugh.

“Well, you shouldn’t worry,” she says. “I hear your performance is exceptional, and you fit right in.”

You raise an eyebrow. Hotch told her that? “Oh,” you try not to show your shock. “Thank you, I’m…I’m glad to hear that.”

She smiles. “Aaron can be a little rough around the edges, but you’re doing fine. Don’t worry. Ah, there’s lunch.”

Sandwiches are brought in, leaving you no time to really process what she has just confirmed. 

And he is never going to live it down.

The rest of your lunch meeting passes by easily. To your surprise, Strauss steers the conversation away from the BAU and toward how you’re settling in here in general. 

“It was a big move, I heard,” she says. “I hope the area is treating you well?”

“It’s great,” you nod. “I do love it here.”

Of course, work topics come up, such as professionalism among the team and how those lines blur around some. She doesn’t linger here, though, so you think nothing of it. 

“A new case will likely come tomorrow,” she says. “You’ll hardly ever be without one this long. Consider yourself lucky.”

You laugh at that, mostly to hide your scoff. You wouldn’t consider yourself lucky to be without a case because it only means Hotch’s focus is on you instead of catching a killer -- which is a much better use of his time. Safer for him, too. Because with every passing day you come closer to spilling hot coffee down his suit.

Kidding. Kind of.

“Mm! I do have one thing to ask you,” Strauss says suddenly.

You swallow your nerves and look at her expectantly.

“Richard Monroe,” she starts, and you feel your blood run cold. “He’s still cooperating in their investigation, however,” she pauses, lacing her fingers together. “He’s asked to speak with you.”

You blink. “With me?”

She nods. “You clearly made some impression on him. He’s apparently been asking for you for a few days, though they only just notified me this morning.” She pauses to sigh. “Do you have any idea what he might be after?”

You shake your head, dusting crumbs off your leg. “No idea.”

“Alright,” she accepts your answer far too easily. “Well, if there’s time, and if he keeps asking, I might ask you to go speak to him. Just to…keep the peace, I suppose. We can call it research for the BAU.” She waves her hand. “But it’s not at the top of my list.”

“Of course,” you nod slowly. “Just let me know.”

She smiles. “I’ve taken up enough of your lunch time, so I’ll let you get back to work.” She stands and you do as well, a rare moment where you’re itching to get back to the bullpen. “You’re going to do just fine here. You’re already exceeding expectations, so well done. Keep it up.”

“Thank you,” you return the smile, your chest expanding from the praise. It’s nice knowing your boss’s boss thinks you’re doing well, no matter how Hotch acts when you’re in the same room. Checkmate.

+++

Hotch scowls at the paperwork before him as he listens to your laughter filter up to his office. You returned from your meeting with Strauss in a frustratingly good mood and have been joking around with Morgan for half an hour.

Fed up, Hotch shoves his chair back to shut his door. Maybe he slams it. It doesn’t matter.

He hears the conversation come to a halt. Good. Maybe now they’ll get some work done for once.

He signs off on what he needs to, closing the folder and moving on to the next. And the next. And the next.

Before he knows it, he’s the second to last in the office again. Rossi knocks once on Hotch’s office door before he opens it, one hand holding his coat over his shoulder.

“Working late?” Rossi asks, striding in and settling down across from Hotch.

“Yes,” Hotch says, not looking up from the paperwork. He still has a mountain to get through, and maybe it could wait until tomorrow, but he needs to focus. On something that isn’t you.

“Want to get a drink?”

“No.”

“Alright. Any particular reason you’re so grouchy today?”

Hotch sighs, looking up at his friend and hoping his eyes convey the best I’m not in the mood look that he can. 

He must succeed, because Rossi presses even more. “Doesn’t have anything to do with, say, a certain new agent who seemed to be in a great mood today for the first time in a week?” He pauses, musing. “Or maybe it’s the fact that said new agent didn’t say one word to you today?”

Hotch’s jaw tenses. It’s true. Neither of you spoke to the other today. Plenty of glares were shared, though, which is the same as words for you two.

Rossi leans forward, resting his elbows on his knees. “Aaron. She’ll come to you if she needs help. If she wants help.”

No, she won’t, Aaron wants to say, but he can’t. Because what’s his reasoning? Something he doesn’t want to admit.

The facts are that Rossi doesn’t know you. Rossi wasn’t there when Hotch first met you on that case all those years ago. Rossi wasn’t there to watch you try to do everything yourself and nearly fistfight Hotch every time he tried to take one thing off your plate. Rossi wasn’t there to watch you nearly get yourself killed because you refused to ask for help. Rossi wasn’t there to see the panic that had crossed Hotch’s face when he saw your reckless behavior. 

Rossi doesn’t know you. Not the way Hotch does.

Which is why after Rossi leaves, Hotch gathers his things, and stops to see Penelope on his way out of the office.

[twst-hottest-takes]

When Pomefiore first came out on the JP server a few years ago, I genuinely thought that Neige's cutesiness was just an act and that he was far darker behind closed doors. But, nope. Turns out that Neige is completely "what you see is what you get", and that really threw me off. I'm not the only one. I'm not the only one. Other fic writers in this fandom like LeaderPinhead have said that they thought the same thing.

While it's fine that Yana never went in that direction, she never did anything with his character either. He's just a cardboard cutout for Vil to sneer at and literally nothing else. It's so bad that Vil ironically is the better Snow White analog. Vil is similar to her personality wise, being hardworking, adaptable, assertive and at times kind. He has plenty of flaws like being overly domineering, being too blunt and harsh among other things, but that's a good thing. Those negative traits only make him feel like a real person and a modern male version of Snow White. Neige's similarities are limited to only his looks. His backstory makes no sense and comes right out of nowhere. (Seriously, why wasn't he and the dwarves taken in by Child Protective Services, if he was a minor in modern times?) That's such a waste to me. Neige is the antagonist of the Pomefiore arc, so there should be more to him than that.

However, if I wrote this story, I would do just that. Make Vil the one based on Snow White and Neige is based on the Evil Queen, being like Maurice Cole from Black Butler.

While I haven't read Black Butler, from what I heard from one of my friends and after watching a summary video of the Public School Arc, Cole is Redmond's helper (not using the manga's term because it's a slur). He has a cutesy demeanor, coming off as courteous and polite. He is beloved in the school. Behind closed doors, he's the worst, and, in all honesty, is like a modern version of the Evil Queen. He's a vain asshole, who hates hard work, and frequently leaves his duties to those beneath him. He is willing to resort to underhanded methods to get what he wants. When someone does something better than him, he will make sure to knock them down.

Why couldn't Neige be more like that? Don't get me wrong. I don't think Neige should've been a copy and paste of that other character. Hell, I would argue that differentiating them is a good thing. Not only to change things up, but according to that same friend, he's boring and lazily written. Plus, I don't see Neige doing one of Cole's despicable actions being ever greenlit by Disney. But I think giving Neige some of those same traits would be a step in the right direction. That way he would have a personality and be an actual threat to Vil.

I have seen a lot of people say similar things about their expectations for Neige actually.

Thank you for your take.

You've made a very thoughtful entry here, and I will leave it mostly for others to read and respond to because I think this is an interesting conversation to be had.

My own thoughts are short, that I definitely like the idea of Neige being more characterized so that he can be more of, you know, a character, but I never really liked the idea of him being secretly nasty. I feel like there's too much stock in the corruption of innocence and really would like to have a character as straightforward and just nice as Snow White was--though to be fair we do have Kalim already so people might not want another character too similar to him. In any case maybe a fun idea would be Vil being paranoid about Neige like "No one of his celebrity is that nice!" and part of his beef with him is being annoyed by the idea that Neige is just that genuine. TWST fails at making much out of that rivalry though. With Yana's writing history for Black Butler and such I don't blame people for thinking there should have been a darker side here.

[sir-adamus]

Feel free to ignore this bc i know the topic is annoying but i was wondering about hbomberguy’s video criticizing rwby… did he admit that he made shit up for that or just flat out didn’t even watch rwby? I feel like I’ve seen that said before but never knew if it was true or if maybe I’m misremembering

Honestly i feel hypocritical for never having watched that video myself but also i try not to engage with shit i know will piss me off. The same can’t be said for 99% of the people who won’t shut up about how much they think rwby sucks 🙄

i don't think he's ever admitted to anything - the level of ego it takes to prostrate yourself as a media critic when all he does is make character attacks against the creators that he knows he can get away with (the weird parasocial dogging on Miles and Kerry, implicating them as paedophiles at one point if i recall correctly. an early version of the video having him shitting on Barbara for a tweet she made telling people not to watch the show if they don't like it that was only removed when viewers pointed out that she'd tweeted that in a specific context - that she and Arryn had been tagged in a fucked up edit of their characters stabbing each other by an asshat in the hatedom - which showcases either his poor research abilities that he didn't look further into that or that he knew and didn't care as it was an opportunity to attack someone else until he found out that the context was known and he couldn't get away with it) doesn't leave much room for self-reflection

i'm in the same boat - i don't watch shit that pisses me off because outrage bait rots your brain and i have better things to do with my life than watch that pretentious turnip lie about shit he doesn't like

from what i do know he misrepresents certain aspects of the show (calls Sun white at one point), makes clear he doesn't pay attention in other parts (claims the 'dust robbery plotline' was dropped and left unresolved when it wasn't). oh and he lies. a lot.

about Monty specifically - because he presents himself as having been a fan of Monty, disappointed that the show was dragged down by Miles and Kerry specifically (and makes it clear he thinks everyone else who works on the show is too talented to be wasting their time on it). and dedicated the video in Monty's memory

except he fucking hated Monty when he was alive, and we know this because of posts he'd made on the somethingawful forums about six months before Monty's death where he shits on Monty, shows blatant contempt for everything Monty had ever done, seems to just not respect anyone who engages in fandom (weird distaste for people who write fanfic, make fanart, cosplay) and throwing everything he says in that video into doubt because he's blatantly lying about having been a fan of the man

and you know why? it's the same reason his Sherlock video primarily focuses on shitting on Moffat and doesn't call much attention to Mark Gatiss's contributions. because it's bad for Hbomb's image to attack a dead man or a gay man - regardless of why he's criticising them

[stoic--rose]

over the last two weeks or so ive played through earthbound two and a half times, and mother 1 three times. replaying both back to back repeatedly has made me realize a lot of things

1.) mother 1 is a LOT more open in what it lets you do, where it lets you go, and when. once you open up the train tracks, you're free to go do the rest of the game in pretty much any order you want. hell, you can make it all the way to R7038xx without ever getting a single melody, which i find to be pretty interesting. not only that, but you dont even need to get most of the party members. strictly speaking, the only one you truly need to get is Loid, and that's just to get rid of the rock on the train tracks. and even then, with the use of an exploit i found out about only a few days ago, you can get rid of him and go fight giygas by yourself, which is pretty funny.

2.) mother 1+2 is like, wicked impressive. nevermind the fact that they crammed earthbound onto the gba, they also packaged it with mother 1 as well, and they're both the full games. it ain't no rayman advance kinda deal either where it's a super botched port, like it's a perfectly valid way to play both games, and some people even prefer the gba version of mother 1 since it makes a couple of quality of life improvements. not to mention, they rebuilt both games from the ground up, it's not like they could emulate snes on gba. (i mean, you can emulate NES apparently, since there's that nes classic line of games for the gba, but... this is cooler.) the sound department could... definitely use some work, and the colors look pretty washed out, but there are patches to fix the colors, and if you're playing the game on a real gameboy, i think the sound is the last thing you'd be concerned about. also, apparently some people took the time to apply the earthbound script to the mother 2 half of mother 1+2, and even reprogrammed the text system to have the original fonts and make it non-monospace, which is SUPER impressive. for my second playthrough of earthbound i played it with the new fantran patch, and it's pretty damn slick.

3.) man, fuck the sword of kings. i realized very recently that i'd never fully committed to the sword of kings grind, and decided that this would finally be the time i claim my birth right as a mother fan and do it. and like, it SUCKS. i mean, to begin, yes it's annoying that it's a 1/128 chance, but it goes deeper than that. the fact that it's only dropped by an enemy that you can potentially never see again, and it's the ONLY item poo can equip as a weapon is pretty fucked up. not to mention, the other enemies that they put in the starman base just absolutely suck, i hate the nuclear power robots so much. they made the grind WAY more painful than it already would have been otherwise. at the very least, i find it to be very gracious that jeff's spy command has the secondary effect of letting you steal whatever item an enemy would have dropped mid battle, just so it doesn't get overwritten by another enemy drop, which by the way YES that can happen, and YES i had it happen to me. it sucks ass. and the worst part is, the sword of kings isn't even that good!! and neither is poo on a gameplay level! you get the guy way later than any other party member, he has all these little catches like not being able to eat american food or equip anything but the kingly items, he gets taken away from you almost immediately after you get him, he just feels really weird. starstorm is pretty cool, but you only get the omega version right before the final area, and you can only use it on the handful of encounters you get there since you can't really use it in the final boss. (i mean technically you can use it in the first phase, if you want to get a biblical reflected beatdown when it hits both pokey and giygas) idk, the guy just isn't all that useful, and it's unfortunate since i really like him on a design level.

i have more words i want to say but honestly i might save them for an entry on my website instead since im very close to the tumblr word limit rn

[aplacefordreaming24]

Wawawa if it's okay ;000 to request me and my husband? Idm what background you use, but the one people go with is usually light purple ;0 or something that reminds you of winter works too! Either for 1 or for 3!

As for hcs, maybe some fluffy or hurt/comfort ones for a dystopian scenario?

Ik dystopian sounds crazy, hear me out: Okay so my husband is Ted, and he's from this story called "I Have No Mouth and I Must Scream." Long story short, a supercomputer named "AM" blows up the whole world and only 5 (6 if you count my s/i) humans survive. AM then goes on to torture them all until, essentially, Ted mercy kills them all besides himself, and is turned into a slug.

The actual story itself is only 10-ish pages (I would link but it's a pdf sobs) or 30 mins to listen to the radio drama, it has a lot of deeply unsettling and tragic content, so def be careful if you choose to read/listen to it!

Ted is essentially the protagonist. He's an unreliable narrator who believes himself to be the only "sane" one of the group, because his specific torture is that AM gives him intrusive thoughts, paranoia, delusions/hallucinations, etc. He's basically made Ted unable to trust himself or anyone around him, believing the other 4 (*5) survivors hate him and are out to get him. Ofc, by the end of the story, he has a moment of clarity that allows him to save everyone by mercy killing them in an ultimate sacrifice fashion.

However, this is where my s/i comes in! She's very sweet and cheery, but to an unnerving extent. She's *always* smiling or finding the positives in something, even despite the absolute worst scenarios they're in. This is because her specific torture is to never be able to *stop* smiling. She's not allowed to express any negative emotions or ever say no without some sort of punishment. She's also very paranoid, and believes people hate her, but in a "God I'm so annoying I need to do more so they like me" way, rather than a "They're all out to get me and I need to hurt them first" way.

I like to think she's the only one able to break down Ted's walls. Not in the way the others do, but in a way that, even when he does have his episodes, he know he can turn to her and she won't push away. And he's the only one she can smile around and it's an actual *real* smile (He's learned to spot the difference).

Idk if this makes any sense but if you want more info on them PLEAAASE lmk!! I'm always happy to ramble about these two!!

New Silly RB game!

Reblog this post with a picture of your S/I and F/O I’ll draw them in one of the optional poses below and write you headcannons of your choice of scenario! ||Txt|| =notes

Optional Poses

Example

May I have slide 2 with A being my S/I and B being my F/O?

With a pink background too, Please!

S/I (Rebel) F/O (Broly)

As for the headcannons, Can I have some fluff headcannons?

I would like the scenario to be cuddling!

||After that, I’ll respond with the finished art piece + a selection of headcannons I made to fit said scenario of your choice.||

||Also, To help make the headcannons more accurate, Feel free to tell me any details of yourself (s/i) and your F/O (Feel free to send their wiki page for reference). If there’s a specific scenario you want to let me write, feel free to tell me. Go wild lmao- also, If you’d like me to make a specific colored background, please let me know!||

Cuddling HCs

•Most of the time, Cuddles start when Broly gets enraged. It tends to calm down his nerves when he’s upset (ONLY from Rebel though).

•No surprise here, Broly is the “Big Spoon” in any situation or scenario.

•He 100% stuffs Rebel into his muscular arms for warmth even if there’s tons of fuzzy blankets and soft pillows on the mattress.

•Broly’s favorite position to be cuddling Rebel in has to be anything to do with him just engulfing her entire figure-

•Usually, cuddling with each other lasts for over 16 hours.

•Sometimes, they both stay the entire day in each other’s arms. In which they usually just sleep the entire day-

||Andddd that’s basically it for the example!||

||This will take more than a few days but I WILL do my best to get most of them done.||

||Currently, I’m busy with life things but don’t hold back on me!||

||If you have any questions, feel free to ask! And feel free to dhare this with evrynuan yu know! I’ve been waiting for this!||

DOUBLES, DOUBLES OF MOOTS, PROSHIP/COMSHIP + VARIENTS- DNI!!!

[thoughtfulseason]

it just occured to me that the feeling that you think people dislike you/despise you/hate you/are disgusted by you by default is a little bit kind of fucked up in a way

[dontbadgerme2233]

It's so nice being a Moon Knight fan when you don't have a comic purist telling you how much you suck for enjoying the show as well.

[vani-ash]

Idk if this is a controversial opinion but I low-key hate when people make Kim and his brothers distant but decide Kim is besties with Vegas at the same time

Kim had no problem walking into a random warehouse and immediately shooting at Vegas on sight

Like idc if it's just that Vegas and Kim are friends/friendly but it's when they specifically add that they are friends and Kim hates his brothers/does not interact with them but he kept in touch with Vegas?

[junglejim4322]

Lately you’ve been talking a lot of sex offenders. Are you okay? Are you one of em?

Playing stupid about the fact that if you check my blog enough to notice that you surely know I was abused as a child isn’t funny or cute btw

[akimojo]

i just saw someone call ffxiii overrated like? what?? it's literally one of the most hated games in the franchise wym "overrated" 😭

[kerosene-saint]

I wish people didn't act like dd/lg or abdl were like pedophilia. not even into it and I'm a sfw age regressor (non community due to this problem) but like. ugh. and the problem is my views on it have changed so much over just this year. because guess what. whatever people do in their free time surrounding sex, as long as it is not genuinely illegal, should not fucking matter to you. it is not your fucking business to tell people you think their kink is gross and pedophilic, especially because it's not pedophilia. it is fine. to be uncomfortable with a kink page of a certain kind interacting with you. I get it. and there are some pretty mean people in those communities but guess what? there are mean people in EVERY COMMUNITY. and you do not have to relate that kink to pedophilia to say you'd prefer their kink blogs to not interact with whatever blog you have. but when you say shit like "pedos and also people into ddlg and abdl dni" it's annoying. you could say "ddlg/abdl blogs dni" absolutely fair. but saying don't interact abt an entire group of people of which you do not necessarily have the means of checking everyone for being in that community??? alright then. you have fun in puppy play isn't anything like fucking dogs but ddlg is like fucking children world.

[valkyurii]

I think the Scadutree Fragment argument is funny because it’s usually coming from two different angles. You’ve got the people who only do one playthrough or do multiple playthroughs on NG+ cycles meaning they only ever have to collect the fragments once. Or you’ve got people (like me) who do every playthrough on NG meaning we have to collect the fragments all over again everytime we get to the DLC which is tedious af. It’s like having to do a second set up after having already done one in the base game. I understand the idea behind the system, I just think it could have been implemented better. Like perhaps bosses could have dropped them instead of making me run all the way up a stream to a dead end to pick one up under a waterfall.

[themyscirah]

Amanda... I miss her.

But I don't trust a single person to write her other than Ostrander/Yale. Like I don't trust them to do it right. Because like it's easy to write her being shady and manipulative and involved in secret government conspiracies. That's what she does. But it feels so hollow once you've seen her character in the way Ostrander describes it. Like she is a woman who is desperate and trying to do what she thinks is right. She has found a place of power (as a fat Black woman in the 1980s) and is doing anything she can to fight and hold onto it as powerful and ambitious men try and steal it from her. So she doubles down. She doubles down on the shady deals and the broken promises and the violence and she destroys her enemies, and loses a part of her soul in the process. And then some other ambitious politician rises up and the process repeats itself over and over and over again as each time she loses more of her morality and more of her soul and more of the respect her colleagues had for her. In place of that she gains more power, she gains fear, and an even more badass reputation. Until by the end of the book the villains begin to understand/sympathize with her more than the heroes ever will. Like THAT is who Amanda Waller is. It may happen subtly, it may happen over a longer period of time but that descent is a critical part of her character! She is a tragic character! And I feel like every perception of Suicide Squad I've seen outside of the original has her as this static villainous snapshot which is just untrue to her core imo. Like she is not a hero. But she is also not JUST a villain. She is a highly flawed character who is always descending farther and farther into villainy as she is led there by what she believes is right.